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Ashes to Gold - Part IV
Dave Holland - Double Bass
Let Me Love You
the guitarist’s third recording for ECM
Musical Genocide 3:45
sarah vaughan clifford brown sarah vaughan 105887 size:OS Ashes to Gold - PartDuring the first ten years of her solo career, Sarah Vaughan rarely had the opportunity to demonstrate her phenomenal vocal talent in a true jazz context when recording for the Musicraft and Columbia labels, as the repertoire consisted mainly of commercial pop ballads. That changed abruptly when she signed a new contract with Mercury and its sublabel EmArcy in 1954. Her very first recording with the young trumpeter Clifford Brown was to become an
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